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‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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ETERNAL CHARISMA

Khalid Mohamed reconstructs the Rajesh Khanna he knew.Indian cinema’s first acknowledged superstar 10th death anniversar...

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The Flashback Experiment

Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on...

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HIDAYAT SAMI: Spotlighted!

It’s Hidayat Sami who Aparajita Krishna meets today to explore his vast repertoire as an actor, director, light-designer...

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Of the People

Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...

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Touch of Class

As Dimple Kapadia’s birthday approaches on June 8, film historian Dhruv Somani tracks how she has made strong fashion st...

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Back to the Future

 

Film historian Dhruv Somani, in conversation with Sonu Walia, who had quit the Bollywood scene prematurely but ...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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